Naomie ‘LaMorenita’ Dalisay – “F*** Boys” | All Def Poetry x Da Poetry Lounge

Video May 29, 2017 neonrenaissancemagazine Leave a comment

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Video Features

Jasmin Roberts performing at the 2017 Women of the World Poetry Slam.

YouTube Channel: Poetry Slam Inc

2017 Women of the World Poetry Slam – Jasmin Roberts “Tickets, Please”
June 24, 2017 neonrenaissancemagazine Leave a comment
DOWNLOAD SlamFind app for iPhone: http://bit.ly/1oRaW0k & Android: http://bit.ly/WPAdOa

Follow Londzo Drury at: https://twitter.com/Londzo12

Londzo is part of the Toronto-based poetry collective, The Ragdolls. Follow them here: https://twitter.com/TheRagdollsCo

Filmed at the WOWPS ’17 Queer Open Mic in Dallas TX. The Women of the World Poetry Slam is an event sponsored by Poetry Slam Inc.

SlamFind is a free performance poetry mobile app that allows you to easily find every poetry slam & poetry-friendly open mic in North America.

http://www.SlamFind.com

YouTube Channel: SlamFind

Londzo Drury – “Joy”
June 24, 2017 neonrenaissancemagazine Leave a comment
Lip Balm competed on May 29th 2017 at the Vancouver Poetry Slam. This is Lip Balm’s poem Pegasus

YouTube Channel: Vancouver Poetry Slam

Lip Balm – Pegasus
June 24, 2017 neonrenaissancemagazine Leave a comment
Balmain Spring/Summer 2018 | #PFW | Paris Prêt-à-porter Homme

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Date: 24/06/2017.

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Balmain Spring/Summer 2018 | #PFW | Paris Prêt-à-porter Homme
June 24, 2017 neonrenaissancemagazine Leave a comment
Address: 55 Bethune St, New York, NY 10014
Video Link: https://youtu.be/k3yEtZY3vTs
Artists: Jehad Abu Hamda
Karly Anderson
David Armacost
James Bartolacci
Phoebe Berglund
Jeff Bergstrom
Caitlin Bermingham
Teo Blake
Richard Bloes
Marissa Bluestone
Ali Bono
Holly Brennan
Tom Burckhardt
Lydia Cardenas
Natalee Cayton
Jaqueline Cedar
Heather Cox
James Cullinane
Luis DeAndre
Sarah Dinkelacker
Sam Dollenmayer
John Donovan
Kasim Earl
Reid Farrington
Kyle Freeman
Jesse Gelaznik
Manuela Gonzalez
Sophie Grant
Dina Helal
Leslie Hodge
Chris Ketchie
Yon Mi Kim
Morgan King
Elizabeth Knowlton
Queena Ko
Pamela Koehler
Franky Kong
Tom Kotik
Christopher Lesnewski
Ali Lewis
Kelley Loftus
Rob Lomblad
Deborah Lutz
Doug Madill
David Miller
Lorryn Moore
Brancey Mora
Victor Moscoso
Anthony Naimoli
Vishal Narang
Shóna Neary
Katy Newton
William Norton
Natalie Ochoa
Rose O’Neill-Suspitsyna
Anibal Padrino
Laura Pfeffer
Jason Phillips
Eliza Proctor
Greg Reynolds
Kristin Roeder
Justin Romeo
Joshua Rosenblatt
Dyeemah Simmons
Mark Steigelman
Greg Stone
Paula Stuttman
Eric Vermilion
Butcher Walsh
Jenyu Wang
Nathaniel Whitfield
George Wisegarver
Alex Zak
Nicolette Zorn
Exhibition Title: Whitney Staff Art Show 2017
Exhibition Dates: Jun 23 – Jul 13, 2017
Gallery Link: http://westbeth.org/wordpress/whitney…

Website: http://nycgalleryopenings.com
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WESTBETH GALLERY
June 24, 2017 neonrenaissancemagazine Leave a comment
Black Panther Teaser Trailer #1 (2018): Check out the new trailer starring Chadwick Boseman, Michael B. Jordan, and Lupita Nyong’o! Be the first to watch, comment, and share trailers and movie teasers/clips dropping soon @MovieclipsTrailers.

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June 10, 2017 neonrenaissancemagazine Leave a comment
KATY PERRY – Swish Swish | Dance Choreography by Kyle Hanagami
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GROUP 1:
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Bailey Sok
Tori Caro

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Franz Augustin
Evan DeBenedetto

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Hugh Aparente

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KATY PERRY – Swish Swish | Dance Choreography by Kyle Hanagami
June 10, 2017 neonrenaissancemagazine Leave a comment
One of the submissions from our first-ever video contest. Keep an eye out for our next submission period, open soon!
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If you loved this poem, check out Hanif Willis-Abdurraqib: http://bit.ly/HanifGhosting

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We seek to showcase the power and diversity of voices in our community. By encouraging and broadcasting the best and brightest performance poets of today, we hope to broaden poetry’s audience, to expand its reach and develop a greater level of cultural appreciation for the art form.

YouTube Channel: Button Poetry

Kary Rios – “I Live Out of Opportunities (Vivo De Oportunidades)”
June 10, 2017 neonrenaissancemagazine Leave a comment
A poet and activist originating from the war-town region of Darfur, Emi Mahmoud is the Individual World Poetry Slam Champion of 2015, and the co-Champion of the 2016 Women of the World Poetry Slam.

Currently a senior at Yale University, a Leonore Annenberg Scholar, and Global Health Fellow, Emi studies Anthropology and Molecular Biology at Yale in the hopes of one day alleviating structural disparities on maternal and child health in disadvantaged communities the world over.

Outside of academics, Emi is involved in the Yale Refugee Project, contributes to an international research initiative, and teaches spoken word poetry on campus and through ConnCAT in order to empower youth with the power of voice in various communities. In recent years, Emi has participated in and co-coached the Yale CUPSI slam team. As a child and adolescent, Emi was a public speaker presenting poetry across the country as part of the Darfur Alert Coalition and raising awareness and aid to address the often blood-relative victims of genocide in Darfur, her homeland.

A member of the Loser Slam NPS 2015 National team and 2015 World Champion, Emi has and continues to collaborate with various artists in an attempt to use poetry and other art forms to celebrate the full extent of human expression.

YouTube Channel: Poetry Slam Inc

2017 Women of the World Poetry Slam – Emi Mahmoud
June 10, 2017 neonrenaissancemagazine Leave a comment
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Filmed at the 2016 BABEL Grand Slam / CUPSI Qualifier in Philadelphia PA

Khadijah is also a member of The Babel Poetry Collective. For more info on them and everything they do, check out:
Tumblr: http://babelsback.tumblr.com
Twitter: https://twitter.com/BabelsBack
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YouTube: BabelTU

SlamFind is a free performance poetry mobile app that allows you to easily find every poetry slam & poetry-friendly open mic in North America.

http://www.SlamFind.com

YouTube Channel: SlamFind

Khadijah Fofana – “Survival”
June 10, 2017 neonrenaissancemagazine Leave a comment
Kay Kassirer placed 3rd on May 8th 2017 Vancouver Poetry Slam. This is Kay’s poem DBT.

YouTube Channel: Vancouver Poetry Slam

Kay Kassirer – DBT
June 10, 2017 neonrenaissancemagazine Leave a comment
Toga | Spring Summer 2017 by Yasuko Furuta | Full Fashion Show in High Definition. (Widescreen – Exclusive Video – LFW/ London Fashion Week) #FFLoved

YouTube Channel: FF Channel

Toga | Spring Summer 2017 Full Fashion Show | Exclusive
June 10, 2017 neonrenaissancemagazine Leave a comment
Moschino | Resort 2018 by Jeremy Scott | Full Fashion Show in High Definition. (Widescreen – Exclusive Video/1080p – Los Angeles/CA)

YouTube Channel: FF Channel

Moschino | Resort 2018 Full Fashion Show | Exclusive
June 10, 2017 neonrenaissancemagazine Leave a comment
Video Link: https://youtu.be/mU2WbaMRjDU
Artist: Juan Garaizabal
Exhibition Title: Build A Story. Urban Memory of the Lost Tuileries
Exhibition Dates: Jun 8 – Jul 15, 2017
Gallery Link: https://www.debuckgallery.com/exhibit…

Website: http://nycgalleryopenings.com
Subscribe: http://youtube.com/nycgalleryopenings

DE BUCK GALLERY
June 10, 2017 neonrenaissancemagazine Leave a comment

Adverisement

Articles

Box Office Top Ten Movies

By Patrick Hill @Pathill17 @NeonRenMagazine

Even though summer has not arrived, that still doesn’t stop theaters from being crowded. Hey, it’s the box office top ten movies from May 19^th to the 21^st. Some of the movies that are on this list has been around since last month. Even so, some have deliver while the rest on the list were so and so. The thing about these movies is that companies spend $100 million dollars on production as well as marketing these films. Just think how much you would do with that type of money. You can finally tell your boss to go, well you get my point. You can finally retire and live your dream of lavish and luxury. You can finally pay back your college loans. You can even start your own production company. However, you would imagine how much of that you would have to pay back in interest giving the fact, they are loans. If a movie doesn’t do well domestically, and internationally; investors won’t fund your next project. We have seen the industry flood money into films such as Suicide Squad which was a terrible film only to have a successful soundtrack to save it. Not to mention Gods of Egypt for which it was a complete disaster might I say.

In this list, you will not only know about an Alien Covenant. The fact that they are Guardians of the Galaxy. Everything is just everything. Someone was snatched. That a wimpy kid wrote a diary about a long haul. The story of King Arthurs legendary sword. That our fate is within our furious circle. A baby run your company. A beautiful woman hook up with a beast. A Latin teaches you how to be a Latin Lover which is actually the title of the movie. I am not making that up. This is all from Box Office Mojo and IMDB website which is my source for all box office information. So,here are your box office top ten movies of the weekend.
1. Alien Covenant
2. Guardians of the Galaxy Vol: 2
3. Everything, Everything
4. Snatched
5. Diary of a wimpy kid: The Long Haul
6. King Arthur: Legend of the sword
7. The fate of the furious
8. The Boss Baby
9. Beauty and the Beast
10. How to be a Latin lover
You can catch all these movies in theatres today. Check your local box office for ticket price. Look out for the next article on the top ten movies for the summer.
Box Office Top Ten Movies
May 22, 2017 neonrenaissancemagazine Leave a comment
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Fashion on Sale (Fashion Market)
May 11, 2017 neonrenaissancemagazine Leave a comment
Billboard Top 10 Albums

By Patrick Hill @Pathill17

We are five months in and we are hearing incredible music in 2017. Going into 2017, we witness The Weeknd rise to the top chart. Let’s not forget Disney “Moana” Soundtrack which was number three on the Billboard chart during The Weeknd number one status. Now, it gets more interesting due in fact Ed Sheeran, Mary J. Blige, Drake, Gorillaz, The Chainsmokers, and Kendrick Lamar all drop their albums after each other within one month a part. It’s interesting to see Mary J. Blige back in action with her new album “Strength of a woman” which is doing quite well as it is the number three album on the chart. The Chainsmokers have been doing amazing with several of their singles being number one on the Billboard’s Hot 100 chart. However, their album was number one for a week, and it is now number nine on the chart. Ed Sheeran who is always the delivery man when it comes to making a strong start. Ed Sheeran album “Divide” is number five on the chart. Mister Champaignpapi aka Drake has always been Billboards top charted with his new album “More Life.” It was once number one for four weeks than drop to number two. However, it has dropped down to number four on the chart. We all been waiting for Gorillaz since they arrive to the music scene late 90s or early 00s. Not sure but you get my point. Gorillaz are back and they sound better. They took the number two spot on the chart after the album “Humanz” drop last week. It’s only been one week and they are head of Drake (Oh’man). See what I just did there. The number one album on the chart needs no introduction. It is Kendrick Lamar aka Kung Fu Kenny with his album “DAMN.” Pretty much sums up his album. After dropping “Humble” and “DNA” from the album, one can only hope how the next track from the album could make you say “DAMN” again, again, and again. I know I forgot some honorable mention albums but here is the top 10 albums list.
1. Damn. by Kendrick Lamar
2. Humanz by Gorillaz
3. Strength of a woman by Mary J. Blige
4. More Life by Drake
5. Divide by Ed Sheeran
6. Epic AF (Pink/Yellow) by Various Artists
7. 24K Magic by Bruno Mars
8. Guardians of the Galaxy Vol. 2 Awesome Mix Vol. 2 Soundtrack by Various Artists
9. Memories. .Do not open by The Chainsmokers
10. God’s Problem Child by Willie Nelson
To see Bruno Mars and Willie Nelson on the chart is incredible. Who will take the number one spot the next time I post; Stay tune. Follow us on Twitter @NeonRenMagazine for updates on all things art related news. Let me know what you think about this chart by commenting below. You can listen to Billboards playlist on Spotify.
Billboard Top 10 Albums
May 11, 2017 neonrenaissancemagazine Leave a comment
A REVIEW OF THE NETFLIX ORIGINAL SERIES THE GET DOWN

By Juan Carlos Diaz @Tearsofwardiaz

As an avid fan of hip-hop, I always yearned for a depiction of the early days within the realm of film, be it through a TV show or movie. Some might argue that Hollywood has already explored the early days of hip-hop with films such as Breaking and Beat Street, which were both released in the early 1980s. Despite showcasing hip-hop as its own musical genre, both fil focused on only on specific element of hip-hop, which was break dancing. Those of us who are fans of hip-hop, however, are aware that there are four elements that make up the foundation of this particular musical genre. The first layer that makes up hip-hop is the graffiti artist that would spray paint messages on bare walls and subway trains. The second layer of the foundation of hip-hop was the DJ, which would fabricate beats by using bits and pieces of existing musical recordings. The third layer was of course the MC, which would write and recite lyrics over the DJ’s beats. The final and fourth layer of this beautiful collage was break dancing.

Oddly enough, I can say that not one of the layers that have mentioned were ever properly depicted on film (at least in my opinion). That is until director Baz Luhrman released his masterpiece The Get Down on Netflix. Releasing in two parts, the first part of this series takes place in Bronx, New York, 1977. The show follows the characters Ezekiel Figure, a half African American and Puerto Rican teenager who has a deep love for writing poetry. This particular character is played by Justice Smith who is known for his corky role as Radar in the film Paper Towns. Mylene Cruz, Ezekiel’s love interest is played by newcomer Herizen Guardiola, as she tries to balance her desire for becoming a disco star and obeying the strict rule of her overbearing father; who is a Pentecostal church minister.

The audience will also be introduced by a host of different characters, like Boo Boo, Dizzy, and Rah Rah, who are Ezekiel’s closest friends. The group’s existence within the show is no coincidence, however. Each of Ezekiel’s friends represent archetypes within the hip-hop genre. For example, Boo Boo represents the bravado get money attitude that is present within hip-hop song sometimes. The character Dizzy represents the artistic free that a lot of graffiti artist carried with them at the time. Rah Rah, however, represents the social awareness that was present in a ton of hip-hop songs in the mid-seventies and early eighties Also, another vital character to the series is Shaolin Fantastic, which is the DJ of the crew.

However, what make the Get Down so fascinating to watch is that the show discusses the political and social climate of New York in 1977, depicting the landslide victory Ed Koch had over Mayor Beam and its effect on the African and the Puerto Rican communities. Also, depicted in the show were some of hip-hop’s historical figures, like Grand Master Flash, Kool Herc, and Afrika Bambaattaa and the Zulu Nation; all of which help with the development of the show’s plot. In my opinion, it is because of these elements gives this show 4 out of 5 stars.

A REVIEW OF THE NETFLIX ORIGINAL SERIES THE GET DOWN
April 18, 2017 neonrenaissancemagazine Leave a comment

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Benny Andrews (American, 1930â??2006). Witness (detail), 1968. Oil on canvas with painted fabric collage, 48 x 48 in. (121.9 x 121.9 cm). Â© Estate of Benny Andrews/Licensed by VAGA, New York, NY. Photo: Matthew Newton, courtesy of Michael Rosenfeld Gallery LLC, New York, NY The image may only be used for editorial content related to the exhibition, including reviews, in the interior of the print or online publication. The copyright credit line must appear directly below or adjacent to all reproductions. Except for critical reviews, no images may be reproduced after the closing of the exhibition unless authorized in writing by VAGA. Except for critical reviews, all online reproductions shall be removed at the conclusion of the exhibition. If reproduced on the web, the reproduction shall be a maximum of 72 dpi with a dimension of no more than 1000 pixels on the longest side. The copyright credit line must be underlined or highlighted to create a link to www.vagarights.com.

Jack Whitten (American, born 1939). Birmingham 1964. Aluminum foil, newsprint, stocking, and oil on plywood, 16 5/8 x 16 in. (42.2 x 40.6 cm). Collection of the artist, courtesy of the artist and Alexander Gray Associates, New York. © Jack Whitten

Moneta Sleet Jr. (American, 1926â??1996). Rosa Parks, Dr. and Mrs. Abernathy, Dr. Ralph Bunche, and Dr. and Mrs. Martin Luther King, Jr. leading marchers into Montgomery, 1965, printed circa 1970. Gelatin silver print, 13 3/8 x 10 3/4 in. (34 x 27.3 cm). Saint Louis Art Museum, Gift of the Johnson Publishing Company, 426:1991. Â© Johnson Publishing Company, LLC No altering or cropping, alterations allowed.

Norman Rockwell (American, 1894â??1978). New Kids in the Neighborhood (Negro in the Suburbs), 1967. Oil on canvas, 36 1/2 x 57 1/2 in. (92.7 x 146.1 cm). Story illustration for Look, May 16, 1967. Norman Rockwell Museum Collection, Stockbridge, Massachusetts. Printed by permission of the Norman Rockwell Family Agency. Â© 2013 the Norman Rockwell Family Entities

David Hammons (American, born 1943). The Door (Admissions Office), 1969. Wood, acrylic sheet, and pigment construction, 79 x 48 x 15 in. (200.7 x 122 x 38.1 cm). California African American Museum, Los Angeles, Collection of Friends, the Foundation of the California African American Museum. © David Hammons Must be reproduced in its entirety, may not be bled off the page, superimposed, or cropped.

Edward Kienholz (American, 1927â??1994). It Takes Two to Integrate (Cha Cha Cha), 1961. Painted dolls, dried fish, glass in wooden box, 31 1/4 x 22 1/2 x 7 1/2 in. (79.4 x 57.2 x 19.1 cm). Collection of David R. Packard and M. Bernadette Castor, Portola Valley, California. Â© Kienholz. Photo: Courtesy of L.A. Louver, Venice, California

Barkley L. Hendricks (American, born 1945). Lawdy Mama, 1969. Oil and gold leaf on canvas, 53 3/4 x 36 1/4 in. (136.5 x 92.1 cm). The Studio Museum in Harlem, Gift of Stuart Liebman, in memory of Joseph B. Liebman, 83.25. © Barkley L. Hendricks. Photo: Courtesy of the artist and Jack Shainman Gallery, New York

Jeff Donaldson (American, 1932â??2004). Wives of Shango, 1969. Watercolor with mixed media on paper, 30 x 22 in. (76.2 x 55.9 cm). Brooklyn Museum, Gift of R. M. Atwater, Anna Wolfrom Dove, Alice Fiebiger, Joseph Fiebiger, Belle Campbell Harriss, and Emma L. Hyde, by exchange; Designated Purchase Fund, Mary Smith Dorward Fund, Dick S. Ramsay Fund, and Carll H. de Silver Fund, 2012.80.13. Â© Jameela K. Donaldson

Jacob Lawrence (American, 1917â??2000). Soldiers and Students, 1962. Opaque watercolor over graphite on wove paper, 22 7/16 x 30 7/16 in (57 x 77.3 cm). Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, bequest of Jay R. Wolf, Class of 1951. Â© 2013 The Jacob and Gwendolyn Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York Press Permission is contingent upon the artwork not being cropped, detailed, overprinted or altered; the work being fully credited; and the inclusion of the appropriate copyright notice (listed above) adjacent to all reproductions.

2012.80.16 Jae Jarrell (American, born 1935). Urban Wall Suit, circa 1969. Dyed and printed silk with paint, 38 x 21 x 10 (96.5 x 53.3 x 25.4 cm). Brooklyn Museum, Gift of R. M. Atwater, Anna Wolfrom Dove, Alice Fiebiger, Joseph Fiebiger, Belle Campbell Harriss, and Emma L. Hyde, by exchange; Designated Purchase Fund, Mary Smith Dorward Fund, Dick S. Ramsay Fund, and Carll H. de Silver Fund, 2012.80.16. © Jae Jarrell

Robert Indiana (American, born 1928). The Confederacy: Alabama, 1965. Oil on canvas, 70 x 60 in. (177.8 x 152.4 cm). Miami University Art Museum, Oxford, Ohio, Gift of Walter and Dawn Clark Netsch. © 2013 Morgan Art Foundation / Artists Rights Society (ARS), New York Press Permission is contingent upon the artwork not being cropped, detailed, overprinted or altered; the work being fully credited; and the inclusion of the appropriate copyright notice (listed above) adjacent to all reproductions.

Philip Guston (American, born Canada, 1913â??1980). City Limits, 1969. Oil on canvas, 77 x 103 1/4 in. (195.6 x 262.2 cm). The Museum of Modern Art, New York, Gift of Musa Guston, 1991. Â© The Estate of Philip Guston

Elizabeth Catlett (American, 1915â??2012). Homage to My Young Black Sisters, 1968. Cedar, 68 x 12 x 12 in. (172.7 x 30.5 x 30.5 cm). Collection of Reginald and Aliya Browne. Â© Catlett Mora Family Trust / Licensed by VAGA, New York, NY. Photo: Erwin Gaspin The image may only be used for editorial content related to the exhibition, including reviews, in the interior of the print or online publication. The copyright credit line must appear directly below or adjacent to all reproductions. Except for critical reviews, no images may be reproduced after the closing of the exhibition unless authorized in writing by VAGA. Except for critical reviews, all online reproductions shall be removed at the conclusion of the exhibition. If reproduced on the web, the reproduction shall be a maximum of 72 dpi with a dimension of no more than 1000 pixels on the longest side. The copyright credit line must be underlined or highlighted to create a link to www.vagarights.com.

EL113.002 Emma Amos (American, born 1938). Three Figures, 1966. Oil on canvas, 60 x 50 in. (152.4 x 127 cm). Collection of the artist. © Emma Amos / Licensed by VAGA, New York, NY. Photo: Becket Logan The image may only be used for editorial content related to the exhibition, including reviews, in the interior of the print or online publication. The copyright credit line must appear directly below or adjacent to all reproductions. Except for critical reviews, no images may be reproduced after the closing of the exhibition unless authorized in writing by VAGA. Except for critical reviews, all online reproductions shall be removed at the conclusion of the exhibition. If reproduced on the web, the reproduction shall be a maximum of 72 dpi with a dimension of no more than 1000 pixels on the longest side. The copyright credit line must be underlined or highlighted to create a link to www.vagarights.com.